Weapons & Techniques
24 entries in the Ninja Gaiden compendium.
Dragon SwordA stylus-driven Ninja Gaiden adventure for the Nintendo DS, set after the events of Ninja Air SlashA mid-air sword slash executed by jumping and attacking.Spinning EdgeA whirlwind of steel that repels enemies and clears the path for the Dragon Ninja.ShurikenThe spinning steel star that defines the ninja's ranged reach.Double BladesTwin blades of lightning speed that overwhelm foes with relentless, flowing strikes.Diving SlashA gravity-defying plunge that turns the sky into a weapon for the Dragon ninja.KunaiSmall blade, no mercy—speed is the only edge a ninja truly needs.TonfaTwo short sticks, zero hesitation—Ryu's answer when the corridor gets tight.Hayabusa BladeOne clan, one blade, one name whispered in fear across every shadow.KusarigamaA blade on a chain—reach, rhythm, and relentless swinging in the Hayabusa's hands.NunchakuTwo sticks, one chain, and a crack that echoes through every corridor of the ninja world.Bo StaffA crack of timber and a storm of strikes—reach is the deadliest blade.Ninja ArtOne breath, one blade, one kill—Ninja Art turns silence into a storm of steel.Dragon ArtOne slash, and the sky splits with the breath of a dragon.Hayabusa ArtThe falcon dives once, strikes true, and the world never sees it coming.Tengu ArtA gust of ancestral fury, channeled through the blade of the Hayabusa.Phoenix ArtStrike like the phoenix descends—fast, fiery, and utterly without mercy.Dragon SlashOne arc, one breath, one dragon's worth of fury through the blade.Phoenix StrikeBurn the battlefield to ash and rise from the embers as the storm's eye.Kagemusha ArtStrike the shadow, and the warrior is already behind you.Tengu SlashFour raking cuts, one raptor's dive — the sky's talon made flesh and steel.Kagemusha SlashOne blade, two ghosts — the cut you see is not the cut that kills.Hayabusa SlashOne clean line of steel, and the fight is already over.Ninja SlashOne breath, one draw, one cut—enemies simply stop existing.
Browse Weapons & Techniques in the interactive codex →